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The Santarelli Collection Hall of frescoes Hall of Pediment

Palazzo Clementino Caffarelli

The Palazzo Caffarelli, including the oldest nucleus which is known as the Palazzo Clementino, became part of the museum system in 2000.
Restoration work, particularly in the rooms of the Palazzo Clementino, has made it possible to restore the original dimensions of the rooms and to recover parts of the decorative work in what was the Palazzo’s main reception floor.

The original core of the building was built in the late sixteenth century on the Capitoline Hill, where the Caffarellis’ possessions were. The building, leaning against Palazzo dei Conservatori, appeared in city maps since 1593; in modern times it was erroneously called Palazzo Clementino. The Hall of Frescoes and three adjacent rooms belong to the old building, as evidenced by the wooden coffered ceilings and parts of the wall decorations found during restoration, only surviving elements of a decorative apparatus referable to the same period.

Hall of Pediment

Palazzo Clementino Caffarelli - Hall of Pediment

The recreation of the terracotta pediment from Via di San Gregorio, presented in an      exhibition in 2002, has been made part of the route through the museum. 
In the high relief of the tympanum is portrayed in a scene showing a sacrifice in the presence of three divinities, Mars and two goddesses, celebrated by an offerer wearing a toga to whom three bare-chested servants lead six animals in two rows starting from the two extremities of the pediment. 
There is still also part of the architectural framework of the sloping roof (pediment's sima), with at the centre a small relief showing the myth of Heracles and Hesione

The permanent exhibition makes a proposal of reconstruction of the decoration of the pediment in polychrome terracotta of a Roman temple of the mid second century B.C., discovered in the late nineteenth century in Via San Gregorio, in the valley between the Palatine and the Caelian Hill, while working on the implementation of a large sewerage. The terracottas were found in the middle of the street below a layer covering the debris of Nero’s fire in 64 AD.
The new additions emphasize the exceptional nature of this archaeological find, which represents the most complete example of a closed terracotta pediment of the late Republican age discovered in Rome so far.

The high-relief pediment depicts a scene of sacrifice to Mars and two female deities: celebrated by an officiant wearing a toga to whom three bare-chested servants lead six animals in two rows starting from the two extremities of the pediment.

The scene captures the moment after the initial phase (praefatio), when wine and incense are poured on the altar, and immediately before the animal consecration to the gods (immolation). The animals presented to the officiant are sprinkled with a special mixture of spelt and salt (mola salsa) and with wine on their snouts, they are also symbolically marked with a knife from head to tail. The killing will take place immediately after and parts of their bodies will be offered to the deities on the altar.

A little relief depicting of the myth of Hercules versus the sea monster to save Hesione, daughter of King Laomedon of Troy and sister of Priam, was situated on the top of the roof and applied to the central panels of the brightly painted cornice that fringed the eaves.

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