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    \n

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    \nMACRO Testaccio
    Mostre

    Prima mostra personale in un museo italiano dell’artista americano Josh Smith, nato nel Tennessee nel 1976 ma residente a New York, la cui ricerca si fonda su tecniche come la pittura su carta, il collage, l’incisione e l’edizione di libri d’artista, che Smith considera a tutti gli effetti delle opere in sé.

    Leggi tutto\n
    \n \n \n\n \n \n \n\n ", "css_files" => array( "jquery.fancybox.css" ) ); $arr_1 = array( 1 => "1" ); $arr_2 = array( "ez_lock/not_locked" ); $TemplateInfo = array( "original_key" => "7a34309d905085ced81a60f86ad35f18", "key" => "7a34309d905085ced81a60f86ad35f18-clean", "uri" => "design:page_footerboxes.tpl", "debug" => false, "resource" => "design", "template_path" => "page_footerboxes.tpl", "resource_parameters" => array( "ezdesign:used_keys" => array( "object" => "1174", "node" => "648", "parent_node" => "87", "class" => "17", "view_offset" => false, "navigation_part_identifier" => "ezcontentnavigationpart", "viewmode" => "full", "depth" => "3", "remote_id" => "ff8967764ea769f4d3e1704f3c1533dc", "node_remote_id" => "c5a10d7bf8be4431cdacfcc3351e0160", "url_alias" => "", "persistent_variable" => $arr_0, "class_group" => false, "parent_class_id" => "16", "parent_class_identifier" => "snodo", "state" => $arr_1, "state_identifier" => $arr_2, "section" => "1", "class_identifier" => "homepage" ), "ezdesign:matched_keys" => array() ) ); $arr_3 = array( array( 1, 70, 74 ), array( 3, 0, 76 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_7 = array( "", 2, "mc_context" ); $arr_8 = array( array( 3, "root_node", false ) ); $arr_9 = array( array( 3, "node_id", false ) ); $arr_10 = array( "array", array( array( 1, "footerboxes", false ) ) ); $arr_6 = array( "hash", array( array( 1, "parent_node_id", false ) ), array( array( 4, $arr_7, false ), array( 5, $arr_8, false ), array( 5, $arr_9, false ) ), array( array( 1, "class_filter_type", false ) ), array( array( 1, "include", false ) ), array( array( 1, "class_filter_array", false ) ), array( array( 6, $arr_10, false ) ) ); $arr_5 = array( "fetch", array( array( 1, "content", false ) ), array( array( 1, "list", false ) ), array( array( 6, $arr_6, false ) ) ); $arr_4 = array( "footerboxes_nodes" => array( array( 6, $arr_5, false ) ) ); $arr_11 = array( array( 3, 0, 77 ), array( 6, 87, 374 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_12 = array( array( 6, 87, 375 ), array( 7, 0, 376 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_14 = array( 7, 27, 405 ); $arr_15 = array( 10, 8, 443 ); $arr_16 = array( 2, false, " ", array( array( 10, 60, 497 ), array( 11, 12, 510 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_18 = array( 4, array( "", 2, "attribute" ), false ); $arr_19 = array( 4, array( "", 2, "mc_context" ), false ); $arr_20 = array( 5, array( array( 3, "root_node", false ) ), false ); $arr_17 = array( 4, false, "attribute_view_gui", array( "attribute" => array( $arr_18 ), "root_node" => array( $arr_19, $arr_20 ) ), array( array( 11, 12, 511 ), array( 11, 83, 582 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_21 = array( 2, false, " ", array( array( 11, 83, 583 ), array( 12, 8, 592 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_23 = array( 2, 0, false ); $arr_24 = array( 3, "data_map", false ); $arr_22 = array( array( 4, array( "", 2, "footerboxes_nodes" ), false ), array( 5, array( $arr_23 ), false ), array( 5, array( $arr_24 ), false ) ); $arr_25 = array( array( 4, array( "", 2, "attribute" ), false ) ); $arr_26 = array( 10, 8, 444 ); $arr_27 = array( 10, 60, 496 ); $arr_28 = array( 12, 15, 602 ); $arr_29 = array( 16, 6, 657 ); $arr_30 = array( null, null, null ); $arr_31 = array( null, null, null ); $arr_32 = array( 22, 17, 822 ); $arr_33 = array( 25, 0, 838 ); $arr_13 = array( array( 2, false, "\n
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    Leggi tutto\n
    \n \n \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    21/05 - 13/09/2015
    \n
    \nAll the possible combinations of twelve lights lighting (one at a time)
    \nMACRO Via Nizza
    Mostre

    Jonathan Monk (Leicester, UK, 1969) ha parcheggiato la sua Vespa PK all'interno del museo, con le luci accese. Il faro di testa, quello di coda, le frecce, le luci dei freni e quelle sul cruscotto si accendono e si spengono in un ordine apparentemente casuale.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    17/04 - 13/09/2015
    \n
    \nMACRO Via Nizza, Project room #1 e #2
    Mostre

    L'artista greco Nakis Panayotidis presenta una selezione di opere realizzate negli ultimi dieci anni, che fanno parte di una scelta delle opere in mostra al Kunstmuseum Bern fino allo scorso 15 marzo per la sua retrospettiva Nakis Panayotidis. Seeing the Invisible.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    15/05 - 13/09/2015
    \n
    \nMACRO Via Nizza
    Mostre

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    13/11/2013

    “I mercoledì di Archimede. Storie di scienza antica" - Galileo discepolo di Archimede: i fondamenti archimedei della scienza galileana

    Sala Pietro da Cortona
    Type: Conferences

    Conferenza a cura di Michele Camerota

    Galileo considerò sempre l’opera di Archimede come un punto di riferimento costante della propria elaborazione scientifica. Benché la discussione dei temi archimedei fu più diretta ed esplicita nei lavori giovanili, le opere del Siracusano costituirono una fonte di suggestioni teoriche e un esempio da imitare lungo tutto il corso della carriera scientifica galileiana.

    Da Archimede Galileo apprese l’importanza del rigore dimostrativo e gli scritti archimedei – in particolare quelli sui galleggianti e sull’equilibrio dei piani – contribuirono potentemente a ispirare la costruzione di un nuovo approccio matematico alla spiegazione dei fenomeni fisici.

    La conferenza mira ad illustrare il nesso profondo che collega il contributo scientifico galileiano a quello di Archimede, evidenziando in particolare l’assunzione della prospettiva archimedea come un modello per la costruzione di una fisica alternativa al dominante paradigma aristotelico. 

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    13 novembre 2013 ore 18.00 

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